{"id":651,"date":"2018-06-25T11:56:27","date_gmt":"2018-06-25T11:56:27","guid":{"rendered":"https:\/\/www.benedictmanniegel.de\/academy\/vorstellungen-und-repertoire\/"},"modified":"2018-09-13T13:05:44","modified_gmt":"2018-09-13T13:05:44","slug":"performances-and-repertoire","status":"publish","type":"page","link":"https:\/\/www.benedictmanniegel.de\/en\/academy\/performances-and-repertoire\/","title":{"rendered":"Performances and Repertoire"},"content":{"rendered":"

Obtaining stage experience<\/h2>\n

In order to be optimally prepared for a professional stage career, regular and demanding performance practice is essential. For this reason, Benedict Manniegel’s intensive and varied everyday training curriculum is expanded by participation in performances. These performances give the students the essential experience they need in obtaining professional employment.<\/p>\n

Taking part in competitions allow various students to learn how to handle the challenges that only happen on stage and give them routine and self-confidence.<\/p>\n<\/div>

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\"B\u00fchnenerfahrung<\/span>
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\"Junior<\/span>
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Junior dancer of the Benedict Manniegel Dance Company<\/h2>\n

For the most advanced students of the Academy, participating in company performances as so-called “junior dancers” offers the unique opportunity of stage experience. Working in various choreographic styles and intense rehearsal work is comparable to the daily routine of a ballet company and thus the best preparation for an intended career.<\/p>\n

Outside the junior companies of large state ensembles such as, The Bavarian State Ballet or the Hamburg Ballet, the implementation of this concept in the private \/ non-subsidized dance sector is very rare – we are proud to offer our students this opportunity especially allowing them the possibility of working with the renowned teacher and choreographer Prof. Heinz Manniegel.<\/p>\n<\/div>

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Repertoire<\/h1>\n

The Benedict Manniegel Ballet School and the Academy presented performances, among others:<\/p>\n

Modern choreographies by Heinz Manniegel and other choreographers:<\/h2>\n

Kinderszenen (1995)
\nCarmina Burana (1997\/2011\/2012)
\nArabeske (1999)
\nKlassenkonzert Reger (1999)
\nConcentration (1999)
\nPassages (2000)
\nFesthalten (2001)
\nTanzskizzen (2001)
\nMauerbl\u00fcmchen (2001)
\nGetrieben (L. Benedict; 2002)
\nAugenblicke (2003)
\nEs gibt zu denken \/ Klezmer (2003)
\nBolero (2003\/2008\/2009\/2012)
\nFolias (2005\/2011)
\nDie Vier Jahreszeiten (2007\/2008)
\nFirst Try (Damien Liger, 2008)
\nCanto Intenso (Damien Liger, 2009)
\nFeelings (Damien Liger, 2009)
\nDas kleine M\u00e4dchen mit den Schwefelh\u00f6lzern (2010\/2011\/2012)
\nSeptember (Peter McCoy, 2014)
\nTimore, Amore (Ada Ramzews, 2011)
\nmicrocosmos (Ryan Mason, 2016)
\nDer Lindenbaum (Ada Ramzews, 2018)
\nEt\u00fcden (Laurel Benedict, 2009\/2018)<\/p>\n<\/div>

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Classic rehearsals:<\/h2>\n

Polonaise aus Paquita
\nLa Vivendi\u00e8re
\nBauern- Pas de Deux aus Giselle
\nLa Bayad\u00e8re- Schattenakt
\nPaquita
\nEt\u00fcden
\nEsmeralda- Hochzeitsszene
\nLe Corsaire \u2013 Pas de Trois des Odalisques
\nDon Quichote Entree und
\nPas de Deux
\nVariationen aus Giselle, Don Quichote, Esmeralda, Paquita, Dornr\u00f6schen, Raymonda, Les Sylphides, Schwanensee<\/p>\n<\/div>

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Character dance rehearsals:<\/h2>\n

Galina Georgieva- Weber:
\n\u00b7 Ungarischer Tanz aus Schwanensee
\n\u00b7 Russischer Tanz
\n\u00b7 Ukrainischer Tanz
\n\u00b7 Bulgarischer Tanz
\n\u00b7 J\u00fcdischer Tanz
\n\u00b7 Moldavischer Tanz
\nu.a.<\/p>\n

Andrej Matinkin:
\n\u00b7 Seguidilla
\n\u00b7 Russischer Tanz
\n\u00b7 Zigeunertanz<\/p>\n<\/div>

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